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Album review
The Glass
The duo of Dominique Keegan and Glen “DJ Wool” Brady deliver a dreamy piece of electropop that wouldn’t have seemed out of place in a John Hughes film, had the track been released in the era of Blane and Duckie. Stuttering keys, a catchy synth-bass bottom, a two-chord melody and Keegan’s breathy croon—it’s basically a tough-guy version of Orchestral Manoeuvres in the Dark. But it’s the remixes that will be getting the club play: Ursula 1000 takes the cut in an electrohop direction, with a side trip to breakbeat-rave territory; Luke Solomon lends his usual fractured-house touch to the song; and Sam Young and I Sancho transform the tune into an electro-Italodisco stomper. The Komka version, while the most mild-mannered, may be the best; with its rubbery bass, subtly syncopated hi-hat, and a modicum of bleeps and whooshes, it’s the shy Molly Ringwald of the bunch.—Bruce Tantum
Time Out New York / Issue 735 : Oct 29–Nov 4, 2009
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and i agree. original rox. all remixes are great. but the komka version makes me want to have sex with a late nite dance floor. WITHOUT protection.
sick cut. these boys are bk, berlin and beyond. their sound keeps the sun undone and the moon shining on. great fun. great fun.
The Sam Young and I Sancho remix is brilliant! Nice work guys, hope to see alot more of you your work in the coming months. Great Duo! Where can i find more of your tunes?
Love The Glass. didn't they use to do Plant Bar? Miss that club.