On blurbs
Sorrentino: That’s a measure of success? I thought that was a measure of access.
Strauss: A lot of it is logrolling. You can trace the genealogy of a number of literary cliques by paying attention to who’s blurbing one another’s books. All the same, when I got a quote for my first novel from Joyce Carol Oates—whom I’d never met—it wasn’t only flattering, it was extremely helpful: not only with the reader, but with my own publishers. They saw it as validation of their faith in me.
Maazel: I think blurbing is a terrible part of the business and I look forward to the day when it gets phased out as a way of generating enthusiasm for a book. It is humiliating trying to solicit blurbs, and I don’t think anyone enjoys writing them, either. It’s true that a sales department armed with praise from Stephen King will have something to package, but also: how dreadful. Because it puts a lot of great books that were unable to attract a fancy blurb at a disadvantage.
The authors
Jonathan Ames
Essayist (I Love You More than You Know) and novelist (Wake Up, Sir!)
Tao Lin
Novelist, poet (Cognitive-Behavioral Therapy), blogger
Fiona Maazel
Author of Last Last Chance
Ed Park
The Believer coeditor and author of Personal Days
Christopher Sorrentino
Author of Sound on Sound and the NBA-nominated Trance
Amanda Stern
Curator of the Happy Ending Series and author of The Long Haul
Darin Strauss
Novelist (Chang and Eng and More than It Hurts You)
Comics reviews
Books culture and industry
This is an interesting feature and that makes it all the more annoying that it is chopped up into tiny bits and pieces over 8 pages. It's maddening to read and I can't understand why a publication would discourage readers this way. I am not a regular reader of this website and I am not coming back because of this.