On getting published in journals
Stern: When your work is circulated to a subscriber base as large as The New Yorker’s, I think you can safely consider this a benchmark of success.
Strauss: It depends on the journal. The New Yorker is as much a fantasy for young writers as playing for the Yankees would be for a different breed of kid. But there are well-respected journals whose circulation is so low, you’d be shocked.
Ames: If you’re on NPR—This American Life, for example—and you’re published in The New Yorker, then you’re just about guaranteed to make a living as a writer. My fiction has always been a little too depraved for both. My goal is to come up with a caption for one of the cartoons in The New Yorker. I think that’s my best chance for getting in.
Lin: I feel success in some way when I am published in Noon. But I would feel funny being published by The New Yorker—it wouldn’t make sense for the kind of fiction I write.
Park: I’d love to get published in either McSweeney’s or The New Yorker. But I also liked getting published in small journals, some of which—Crowd and 6,500—seemed to fold after my pieces appeared.
The authors
Jonathan Ames
Essayist (I Love You More than You Know) and novelist (Wake Up, Sir!)
Tao Lin
Novelist, poet (Cognitive-Behavioral Therapy), blogger
Fiona Maazel
Author of Last Last Chance
Ed Park
The Believer coeditor and author of Personal Days
Christopher Sorrentino
Author of Sound on Sound and the NBA-nominated Trance
Amanda Stern
Curator of the Happy Ending Series and author of The Long Haul
Darin Strauss
Novelist (Chang and Eng and More than It Hurts You)
Comics reviews
Books culture and industry
This is an interesting feature and that makes it all the more annoying that it is chopped up into tiny bits and pieces over 8 pages. It's maddening to read and I can't understand why a publication would discourage readers this way. I am not a regular reader of this website and I am not coming back because of this.