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Culture Report II
A matter of time
Lickety Split, 1994
Minter continued showing, but she says, “I felt beat-up critically, so I began to beat up my work.” She applied acid to the metal sheets she used as her canvas, adding an Expressionistic texture to her familiar Photorealist approach. She also started to move away from explicitly sexual source material. After one more show with Protetch, in which again nothing sold, she moved on.
Time Out New York / Issue 669 : Jul 22–30, 2008
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