The rest of the country may be sweating out a wave of layoffs and foreclosures precipitated by the subprime-mortgage crisis, but we New Yorkers are doing just fine, thank you very much. Especially in two key areas: the art and real-estate markets.
You could argue that there have been setbacks. Over the past several months, Red Hook has seen a flurry of for rent notices as trendy eateries and bars shutter, leading many to reclassify the formerly red-hot zone as floundering. Meanwhile, at recent auctions, Christie’s bidders dissed a Van Gogh expected to fetch $30-something million, and at Sotheby’s, Warhol’s portrait of Liz Taylor went for a few mil less than its $25 million low-end estimate.
But the boom is going full blast in another area, once considered just as unlikely for a glamour makeover as the Hook: the Bowery and the Lower East Side. It’s also where a new gallery neighborhood (that intersection of art and real estate) is picking up steam, thanks in no small measure to the arrival of the sleek new New Museum building on Bowery—it opens Saturday 1 with a nonstop 30-hour party and an inaugural exhibit, “Unmonumental,” that surveys today’s hot artists making sculpture out of, well, junk.
In the past year or so, as the silvery stack designed by the architectural firm Sejima + Nishizawa/SANAA took shape, more and more galleries began hanging out their shingles in the neighborhood. Today they number at least 25. “Of course it’s a factor,” says Envoy Gallery’s Jimi Dams, of the New Museum’s looming presence. “Not for me, but for the people planning to be part of a new It area.”
“We were drawn to the Lower East Side in large part because of its character as an art neighborhood,” says Lisa Phillips, the museum’s director. “[It’s] a creative center, home to generations of artists and writers and musicians. Galleries who are opening spaces on the Lower East Side are coming to the neighborhood for the same reasons we did.”
The influx isn’t limited to neophyte dealers looking to use the cachet of the neighborhood to brand themselves and the artists they represent. There are also established galleries relocating from other areas, like Janos Gat Gallery, formerly of the Upper East Side, and Feature, Inc., which used to be in Chelsea. These venues are now on the Bowery, near the New Museum, but as both Dams and Philip Grauer of Chinatown’s Canada gallery allow, the cool factor isn’t the only reason people are moving.
“Leases are up in Chelsea for a lot of places,” notes Grauer. “It’s getting expensive there. I think there’s an urgent need for people to relocate.”Miguel Abreu, who has had a gallery on Orchard Street for about two years, agrees: “The problem with art in New York City is that there’s no more space to make it in.”
Despite the obvious need, all of the Lower East Side dealers seem ambivalent about their nabe becoming the next Chelsea. Dams, for one, has doubts, because the area has much smaller spaces than those farther west—and besides, rents are getting to be as expensive as those in Chelsea. This trend can only escalate with the arrival of the New Museum. Talking to these dealers, one notices how they all point out that they’re located below Delancey Street, as if that geographic demarcation provides some kind of fire wall against their new neighbor. Still, they’re realistic, even resigned to what’s coming: Grauer has spotted a sure sign of the apocalypse. “I’ve noticed that some of the guys that have moved in lately are putting maps together showing where all the galleries are. I mean, with maps come people.”
Yeah, those damned maps ruin it for everyone.
The New Museum opens Sat 1. To see our damned map of the neighborhood, with highlights on surrounding galleries, click through to page 2.
The commenMr. & Mrs. Ralph Cerasuolo Mr. & Mrs. Ronald DeConne Mr. & Mrs. Ronald DeConne Mr. & Mrs. Edward Herve Mr. & Mrs. Randy Obituary Carlucci Bencivenga, 38, an artist and ‘connector’ By Albert Amateau Carlucci Bencivenga, a charismatic artist in media ranging from graffiti, video and new sound to painting and sculpture and a luminary of the Lower East Side arts scene, died Sun., Sept. 2, in his studio on Stanton St. at the age of 38. He apparently died in his sleep and his body was found by friends who were expecting him to take part in the Art Around the Park event around Tompkins Square Park at the HOWL! Festival the following weekend. As of Monday, the city’s medical examiner had not determined the cause of death. “He was a very high-energy guy with lots of ideas,” said Roberto Ragone, executive director of the Lower East Side Business Improvement District. “Listening to him talk, you felt like you were riding a wave of words and ideas on a surfboard. He had a role in creating the BID’s E.L.S./L.E.S. tours — Every Last Sunday of Lower East Side artist studios,” Ragone said. Anthony Zito, a fellow artist and a friend of 10 years, recalled Carlucci’s Stanton St. studio was “a maniacal menagerie of curios — filled with stuff he found in the street, with his work. I always thought of it as a changing art installation.” Zito noted that in a milieu where drug use was common, Carlucci was a paragon of drug-free living. Born and raised in the Bronx, Carlucci was a member of the Morris Park Crew of graffiti bombers and his tag was ELF MPC, or ELF One. He was a graduate of the School of Visual Arts. He was also a member of The Eternalists performance art group. A fellow Eternalist, who goes by the name of True, recalled Carlucci’s involvement with him in a new music performance. “We filled a stage at the Knitting Factory with everything and anything that could make noise and ran around playing them,” True said. “We played in Judson Church for Movement Dance and at art openings.” “Carlucci was a real neighborhood guy,” said Josh Boyd, who opened Gallery Bar at 120 Orchard St. in January of this year. “When we opened, he came and donated a piece of his art and helped us organize our programs,” Boyd said. “He was a total magician. There was no one like him,” said Maggie Monaco, an East Village resident and friend. “He was a teacher to everyone. Anytime you engaged him in conversation you knew you were in for an intellectual roller coaster.” He curated several art shows, including “Make Art Not War” with over 60 artists. Carlucci was born in 1969 to Carl and Theresa Bencivenga, who survive him. A younger brother, Joseph, of the Bronx, also survives. The funeral was Fri., Sept. 8, in St. Clare’s Church in the Bronx and burial was in St. Raymond’s Cemetery. -------------------------------------------------------------------------------- Reader Services thevillager.com Email our editor View our previous issues Report Distribution Problems -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- The Villager is published by Community Media LLC. 145 Sixth Avenue, New York, NY 10013 Phone: (212) 229-1890 | Fax: (212) 229-2790 | Advertising: 646-452-2465 | © 2007 Community Media, LLC Obituary Carlucci Bencivenga, 38, an artist and ‘connector’ By Albert Amateau Carlucci Bencivenga, a charismatic artist in media ranging from graffiti, video and new sound to painting and sculpture and a luminary of the Lower East Side arts scene, died Sun., Sept. 2, in his studio on Stanton St. at the age of 38. He apparently died in his sleep and his body was found by friends who were expecting him to take part in the Art Around the Park event around Tompkins Square Park at the HOWL! Festival the following weekend. As of Monday, the city’s medical examiner had not determined the cause of death. “He was a very high-energy guy with lots of ideas,” said Roberto Ragone, executive director of the Lower East Side Business Improvement District. “Listening to him talk, you felt like you were riding a wave of words and ideas on a surfboard. He had a role in creating the BID’s E.L.S./L.E.S. tours — Every Last Sunday of Lower East Side artist studios,” Ragone said. Anthony Zito, a fellow artist and a friend of 10 years, recalled Carlucci’s Stanton St. studio was “a maniacal menagerie of curios — filled with stuff he found in the street, with his work. I always thought of it as a changing art installation.” Zito noted that in a milieu where drug use was common, Carlucci was a paragon of drug-free living. Born and raised in the Bronx, Carlucci was a member of the Morris Park Crew of graffiti bombers and his tag was ELF MPC, or ELF One. He was a graduate of the School of Visual Arts. He was also a member of The Eternalists performance art group. A fellow Eternalist, who goes by the name of True, recalled Carlucci’s involvement with him in a new music performance. “We filled a stage at the Knitting Factory with everything and anything that could make noise and ran around playing them,” True said. “We played in Judson Church for Movement Dance and at art openings.” “Carlucci was a real neighborhood guy,” said Josh Boyd, who opened Gallery Bar at 120 Orchard St. in January of this year. “When we opened, he came and donated a piece of his art and helped us organize our programs,” Boyd said. “He was a total magician. There was no one like him,” said Maggie Monaco, an East Village resident and friend. “He was a teacher to everyone. Anytime you engaged him in conversation you knew you were in for an intellectual roller coaster.” He curated several art shows, including “Make Art Not War” with over 60 artists. Carlucci was born in 1969 to Carl and Theresa Bencivenga, who survive him. A younger brother, Joseph, of the Bronx, also survives. The funeral was Fri., Sept. 8, in St. Clare’s Church in the Bronx and burial was in St. Raymond’s Cemetery. -------------------------------------------------------------------------------- Reader Services thevillager.com Email our editor View our previous issues Report Distribution Problems -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- The Villager is published by Community Media LLC. 145 Sixth Avenue, New York, NY 10013 Phone: (212) 229-1890 | Fax: (212) 229-2790 | Advertising: 646-452-2465 | © 2007 Community Media, LLC -------------------------------------------------------------------------------- Written permission of the publisher must be obtained before any of the contents of this newspaper, in whole or in part, can be reproduced or redistributed. Written permission of the publisher must be obtained before any of the contents of this newspaper, in whole or in part, can be reproduced or redistributed. Caruso & Family Mrs. Lisa DeConne Mr. & Mrs. Craig Sasse & Family t you type in this box will appear on the site
Very kind of you to list my little gallery: Bottom Feeders Studio Gallery. The gallery website is: http://home.mindspring.com/~jah48/ Currently open by appointment on Fridays, and also for the 195 Chrystie St. "Open Studio-Holiday 2007" featuring Artists and craftworkers in the building. Friday-December 7th 6-9 PM Saturday-December 8th 3-9PM Sunday-December 9th 12 to 9PM- ish Hope to see you, With respect- JAH